Entrepeneurial Enterprises

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This was my mother’s sterling silver example of her modernist jewelry teacher, Art Smith’s “Calder” necklace, 1953; Smith was inspired by the Alexander Calder show at the Modern. I’m currently engaged in creating Modernist Pendants out of copper, brass, silver and 18 karat gold (it’s very yellow, as opposed to 14k). There are just too many of them to photograph and put up on eBay all at once, but I’m heading in that direction. You might want to market my Modernist Pendants, Ancient Style rings and earrings, and more. Inquire of me if you’re at all interested. Stock can cost anywhere from about $100 up to whatever you want to fling in the face of fortune.

In addition, I’ve waded into my library of 7,000 volumes, and pulled out more than half for sale; here are the details: Continue reading

Spencerian Handwriting on the Wall

Besides being a member of the infamous Donner Party family, I’m also in the family lineage from Platt Rogers Spencer (1800-1864) originator of Spencerian Penmanship, a very popular system of creating beautiful cursive script, taught in American schools for just shy of 100 years. If you’ve ever been inside the rotunda of the U.S. Capitol building,  you’ve seen the Spencerian Handwriting Versions of the major documents of the foundation of the United States of America — they were penned by Platt Rogers Spencer under commission from Congress, and that’s not all. He wrote poetry, but only one of his poems has survived to the present day, until now. Here’s the inventory, all of which relate to or carry examples of Platt Rogers Spencer’s personal penmanship and style:

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Donner Party Inventory

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Special Edition Donner Party Trading Cards Published by EJ Gold; May 23, 2014.

The two most vital and memorable incidents in early California history are the Donner Party and the ’49er Gold Rush. I don’t even have to tell you what those are about. If you’re like most Americans, especially Californians, you’ll know.

I happen to be a member of the family known in California as “The Donner Party” and I have a number of Donner Party memorabilia that could well be instrumental in discovering what actually happened at Donner Pass. Was there cannibalism? Maybe these documents will tell the story; they’re waiting for historians to get hold of them, and maybe YOU could be the one to make that happen!

This collection of the UNPUBLISHED LONG-LOST DONNER PARTY PAPERS is perhaps the most important historical discovery related to early California history in this century, and is now available for sale to some lucky person. The collection is all original documents — and the collection includes many letters, Daguerreotypes, Ambrotypes and other early photographs, magazine & newspaper articles, gold “California Fractionals” and other memorabilia which may solve many of the remaining mysteries related to the Donner Party Tragedy. Here’s a partial listing…

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Arthur Rimbaud Une Saison en Enfer by Andre Masson

Arthur Rimbaud (1854-1891) — Une Saison en Enfer, Illustrated by Andre Masson.

Written in 1872 and 1873, this hallucinogenic exposition describes a life-journey in hell. Rimbaud’s relationship with the famous French poet Verlaine finally exploded in public, and Verlaine fired three pistol-shots at Rimbaud, wounding him.

Verlaine was sentenced to two years in prison for the assault, and Rimbaud was shunned by Parisienne society. He burned his remaining manuscripts and left for the South Seas, where he died of cancer at the age of 37.

Societe de femmes bibliophiles / Paris / 1961 / Atelier Crommelynck produced what is probably the best-known and most reprinted works in the realm of gay prose & poetry.

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Come & Get It!!!

SUMMER 2014: FINE ART AUCTION LIST #1

This is a VERY informal chat about some of the famous CELEBRITY ARTISTS works on paper and canvas that I’ll be offering at the MemFest Fine Art Charity Auction this coming weekend. Most of the prices realized will in fact be far into the wholesale. I don’t expect any of it to sell at retail or gallery prices, and to raise money for our Ashram, it doesn’t have to. We own these pieces and the full price goes to charity, not a penny lost. However, there is a Government Catch 22 — the tax folks will take the current market value off your donation numbers, unless you make more than $22 Million per year, in which case, everything you do is tax-free.

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MARC CHAGALL — THE TRAP — M355 (Mourlot catalog raisonne #355). Cover for Derriere le Miroir no. 132, Paris, June 1962, format 11 1/32″ x 14 15/16″. Hand-printed on lithographic stone before lettering. 75 copies were printed on Arches, with full wide margins, pencil-numbered & signed by the artist. There were also a few artist’s proofs. Maeght, Publisher.

Estimate: $600-$800.

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How To Make $1 Million Selling Fine Art That You Don’t Own

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          Oil Painting by David Teniers the Younger, about 1643 — Price on Request.

How To Make $1 Million Selling Fine Art That You Don’t Own? Nothing could be simpler. You’ll need at least a smartphone of some sort — an Android will do just fine in most areas of the local planet, although they work best back home, on Delta 55a. Of course they don’t work on any of the L3 levels, including 15a, because telepathics don’t tend to invent the telephone. Gosh, it hasn’t been more than a few seconds, and already I’ve wandered far off-subject…oh, yeh…selling $1 Million worth of fine art, that’s right…

So… you want to sell fine art, eh? And you wouldn’t mind making $1 Million with someone else’s fine art stockroom, too, right? And if you donate some of that $1 Million for the Ashram, you’ve got a triple-win. I’ve got the art, you’ve got the motivation and the skills, so okay, let’s get right down to basics. Here’s exactly how it’s done:

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My Million-Dollar Loss-Leaders

We’re only a few days away from the MemFest Fine Art Charity Auction, and this event alone is worth the price of admission. You’ll see, and have a chance to buy, museum-grade art, which you should buy on the public’s behalf, then bequeath to your local museum. There may be tax benefits to your estate by so doing, but the social and cultural benefits far outweigh personal wealth. This can be a legacy that you can leave for future generations. Here’s an example:

johnsThis is a very unusual form of Jasper Johns’ zero through nine series; it’s pencil-signed and numbered by the artist. It’s small, personal, and very, very limited in the edition size. JASPER JOHNS — Zero Through Nine (0-9) — color lithograph — Ca. 1978 — Edition 60 — Signed – Numbered – Dated – C 160×124 – S4 – G 781 – Full Margin — Sotheby New York – 05/13/87 – # 833.

Here’s my own auction catalog description of the same piece: U188 JASPER JOHNS G779 0 THROUGH 9 Lithograph in colors on multicolored thread Mariposa paper, 1978, 162mm x 126mm — 6 3/8″ x 4 15/16″ — Full margin with deckled edges all four sides, no tears, no repairs, as issued thus. Pencil-signed JJohns lower right, pencil-numbered by the artist, 43/60 lower left below image area. Blindstamped. Ref: Sotheby’s New York Auction 11/02/99, LOT #1118. Listed in Gordon’s 2000, catalog #22869. Continue reading

Circle of Johnson

If you’ve just recently arrived on Planet Earth, you’ll probably have no idea who Samuel Johnson was, literarily speaking. I happen to have a full beautiful and crisp collection in my library of Circle of Johnson, all in very closely matching 18th century bindings, to wit:

Female Spectator in 4 Volumes, London: 1748, by Elizabeth Fowler, one of the inventors of the modern novel, and one of the most important female literary figure of her time.

Miscellaneous Works in Verse & Prose in 3 Volumes with 4th volume Remarks on Several Parts of Italy, by Joseph Addison, London: 1767.

The Rambler in 4 Volumes, London: 1771. Published as a small periodical from 1750 to 1752, this is a fine, crisp set of the 1771 edition.

The World in 4 Volumes, London: 1772, by Adam Fitz-Adam. An important milestone in English Literature.

The Guardian in 2 Volumes, London: 1767, Addison & Steele’s major contribution to the Literary field, and one of the most important “Coffee-House” periodicals of its time.

The Tatler in 4 Volumes, London: 1764; the definitive contribution of three major Literary Figures of the 18th Century, Richard Addison, Joseph Steele and Jonathan Swift (Gulliver’s Travels).

This set is offered at a very modest $5000 to benefit the Ashram. You can donate directly to IDHHB, Inc. and I will carefully ship the books to you from my library, where they’ve been for the past 25 years. I still have the invoice from Ursus Books in NYC — I’m asking exactly what was paid 25 years ago, regardless of the fact that, although the books have retained their value, the money hasn’t.

I also have an incredible 10 volume set, to wit:

Diary of Samuel Pepys, Edited with additions by Henry Wheatley, 10 Volumes, with 10 frontispiece engravings, 30 illustrations, 3 fold-out pedigrees and one fold-out map not called for in the register. Bound in breathtakingly beautiful full green polished calf, London: George Bell & Sons, 1904, first unexpurgated edition and UNCUT!!!

I’m asking $1850 for this full incredibly RARE uncut set of Samuel Pepys. Again, it came from Ursus Books in New York City; Ursus is among the 10 most highly respected booksellers in the world.

These are only two of the items I have on my Antiquarian Bookseller’s Shelf. Would you like to know more? You have but to ask. I am hoping to pass on my book trader’s skills to someone who will take over the shop and run it, learning to buy as well as sell rare books and prints. No one I know who is in this profession hates to go to work in the morning.

See You At The Top!!!

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To Be Or Knot To Bee

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Judith Spellcaster at her home Altar, photo by E.J. Gold.

The Magickal Arte of Knottinge was published in 1563 by Johannes Carradine in London. I have what may well be the only copy, and I’ve referred to it frequently over the years, and with the advent of my Judith Spellcaster Knotting Spells, you can benefit from this well of ancient knowledge. I’ll explain as briefly as I can, and expound in detail at the Interdimensional Contact Workshop this morning.

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