Legacy Matters: Why We’re Releasing the Premium Art Now…
Over the years, my work has made its way into private collections, public spaces, and quiet vaults. Some of those sales were substantial — not guesses, not estimates, but bonafide, documented gallery transactions, with real numbers and real buyers.
Here’s a sample of actual recorded sales:
Halfway Between Heaven & Hell #2 — Oil on Canvas, 1989, 48″x60″ — $85,000.00
Mountain Pass Arcturus — Oil on Canvas, 1989 — $83,000.00
Grey Odalisque — Acrylic on Canvas, 48″x60″, 1987 — $75,000.00
Two Cities One City — Acrylic on Canvas, 60″x96″ — $75,000.00
Floating — Oil on Masonite, 48″x60″ — $60,000.00
Remember — Acrylic on Canvas, 40″x60″ — $53,000.00
Of Mice & Men — Oil on Canvas, 36″x48″ — $50,000.00
Halfway Between Heaven & Hell #1 — Oil on Canvas, 48″x60″ — $50,000.00
Faces of War #7 — Acrylic on Canvas, 36″x48″ — $45,000.00
I Am The Mountain — Acrylic on Canvas, 36″x48″ — $45,000.00
Morning Scene Cup of Coffee Bottle of Booze — Oil on Canvas, 1987 — $35,000.00
Morning Scene Checkered Tablecloth — Acrylic on Canvas, 36″x48″ — $35,000.00
Odalisque Indian Fashion — Oil on Canvas, 48″x36″ — $35,000.00
Landscape Yellow Sun — Oil on Canvas, 1989 — $35,000.00
Shapeshifter — Acrylic on Canvas, 32″x44″ — $25,000.00
Moon & Lampost Watching — Acrylic on Canvas, 28″x22″ — $25,000.00
The Wave — Oil on Canvas, 1987 — 11″x14″ — $15,000.00
But what matters now is not the price — it’s the placement.
And for Those Who Just Want to Own Something Cool…
You don’t have to be a museum. You don’t need a tax attorney.
Maybe you just want to own a piece of history. Something with color, energy, presence.
A painting you can live with. One that stares back at you. One that doesn’t flinch.
If you’ve followed the work, seen it in passing, or always meant to ask — this is your moment. Now is your chance to own an original painting.
We’re releasing select pieces from the archive at collector-accessible prices — in some cases far below past sales — because it’s time for the work to move, breathe, and belong to someone new.
Trade is welcome. Goldbacks accepted.
And if you’re serious, we’ll make it easy.
This isn’t about a gallery markup or a prestige auction. This is personal.
You want something extraordinary? Let’s talk.
We’re entering a new phase. With things shifting fast in the world, we’re choosing to release some of the premium work from the archive — not just for private collectors, but with the express purpose of finding homes in institutions:
Museums
University galleries
Public libraries
Archives of cultural significance
Healing centers, retreat spaces, and sanctuaries of the soul
If you’re a patron, a donor, or someone who knows the importance of cultural stewardship, now is the time to step forward.
We’re inviting you to take part in placing this work where it will live on.
If your intention is donation — we’ll support it.
If your goal is preservation — we’ll help with framing, certification, and placement.
This isn’t just about funding our ongoing work (though it certainly helps).
It’s about honoring the work by getting it where it belongs.
If you’re ready to talk seriously — about legacy, about value, about cultural survival — reach out. We’ll make it happen.
What’s Happening Now
We’re making some of the premium works from the vault available again — not just for private acquisition, but for cultural placement in museums, universities, libraries, and other meaningful public and sacred spaces.
You can own a significant work of art, display it in your home, and pre-donate it to a museum, which will only pick it up after you’ve gone. Did you know that?
If you’re a collector, a donor, or someone who owns a work and wonders what to do with it now — this is the moment to act, while the Republicans are in power — they like high-level important donations, and reward them greatly.
We’re happy to assist with:
• Legacy donations to institutions
• Certification of provenance
• High-value trade options
• Private placements
• Support for institutional gifting
This isn’t just about raising funds — it’s about putting the work where it belongs, where it can be seen, studied, and passed forward.
If you’re holding a piece of valuable art, or are interested in acquiring one for purposeful placement, reach out directly. Let’s talk legacy.
Why the Art Exists at All
Every painting I’ve made, including the ones we’re now offering — was created using Institute canvas and Institute paints, and they were painted for one reason and one reason only —
To benefit the Institute.
This work isn’t just for show. It was made to support the real work — the research, the teachings, the tools, the broadcasts, the missions, the music and the art.
So whether a piece ends up in a museum, a meditation space, or hanging over your kitchen table — every single placement helps the Institute continue its job:
To awaken, to serve, and to keep the light alive.
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Okay, so here’s the Bardo bus to take us on today’s video journey! Hop aboard, let’s go!
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See You At The Top!!!
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