PHOTO ARTPRINT — “Rose Garden Pond in the Fog” — Signed in the Plate
PHOTOGRAPH ART PRINT — Produced on the highest quality photo paper with a professional printmaker, to fit a 5″x7″ frame; mat & frame not included, wholesale price is $25 unframed and unmounted. I will frame at wholesale for resellers, or you can do it yourself, which is the better method, and you save a LOT on shipping. Continue reading →
PASTEL PRINT — “Tenement Row, Gay Street, Greenwich Village, NYC”, Signed in the Plate
This row of low-profile one and two story tenement houses in the West Village was on the street where my friend “Huey” lived, and I stopped for a while one day in 1959, to record that street in charcoal-pencil on a small piece of fawn pastel paper. Printed to the original size, this print fits perfectly in a 5″x7″ frame. Unframed and unmounted, these prints are available at $25 each, which is the wholesale price. Matting & framing are extra and we do matting and framing for resale at very competitive prices. Continue reading →
LITHOGRAPH — “Farm at Land’s End, Pennsylvania”, Signed & Dated in the Plate
Farm at Land’s End, Pennsylvania is an exercise in light and dark, as well as the translation of “still-life” techniques into Plein-Aire style, with the emphasis on shape, form, mass and composition. Patchy sunlight, silhouetted tree-line, rolling soil and rounded silo with ladders and side-detail, highlighted thatched roofing on the house, soft late-afternoon back-lighting and shadows along the fence-line and banked ditch along the roadside make this a very ambitious drawing project.
GRAPHITE LITHOGRAPHIC STYLE MINIATURE LANDSCAPES — $25 each. Yes, that is the wholesale price, no discount for quantity, because there’s a lot of cost behind each print, and we don’t control the printing costs, the printers do. The originals were created in graphite on Heavyweight 300 gram Arches Rives BFK etching paper, and were massaged into prints by Marvette, who matched the prints with the originals. In a frame, you can’t tell the difference between the print and the original. My original graphite works are no longer for sale, prints only.Continue reading →
I have seventeen hours of video of Harry and myself, recording a “next album” as far as Harry was concerned, putting down basic tracks for Harry, with guest musicians Jimmi Accardi, Menlo Macfarlane, Bob Bachtold and more, and the engineering talent of world-famous audio engie Oz Fritz. Some of the songs we sang at those sessions were a few of my new songs that Harry and I talk about before recording them, some of them were Jimmi’s songs, and some were just blues from Kansas City & thereabouts. Continue reading →
SIXTIES ROCKERS — Signed in the Plate Edition — $25 each.
Printed on the highest quality PHOTO paper available, this reproduces EXACTLY the size, weight & feel of the original. Side by side, in a frame with a plexiglass protector, even a print expert can’t tell the difference. THIS IS NOT A COLLECTIBLE ITEM, it is an art item, a mini-graphic poster, but made to ARCHIVAL specs and the highest artistic level of aesthetic.
SIXTIES ROCKERS — Pencil Signed & Numbered Edition of 50 — $125 each.
The original charcoal pastels were produced on fawn pastel suede paper, usually during a backstage break or a recording studio gig. I can’t remember the names of most of these rock musicians, but maybe a face will ring a bell. I can’t say that they’re accurate, they weren’t intended to be portraits of anyone in particular, just types for drawing studies. My original charcoal pastels are no longer for sale. Continue reading →
Pencil Signed & Numbered by the Artist, LIMITED EDITION, a total of 50 COPIES numbered 1/50-50/50, plus 4 Artist’s Proofs, Proof i/i-i/iv, on RARE linen-laid watermarked Dover 17th century style handmade paper.
THE SIGNED-IN-THE-PLATE EDITION — $25 Unmounted & Unframed.
Limited only by the amount of rare Dover paper I have remaining in my paper stock. I have not much left, and it is the entire world’s supply of this RARE ++++ DOVER handmade paper, the kind used by the famous Dutch artists of the 17th century. Continue reading →
SCRIM1 — “Amsterdam Canals Windy Afternoon”, 2.4.15, signed & dated in the plate.
All of my Scrimshaw Landscapes come to you printed on rare, laid-linen Dover 17th century style handmade watermarked paper, the same paper used by Rembrandt, van Ostade and others. The original artwork is scratched into the plate with a small sharp point. The lighter lines are called “drypoint” and the heavier darker areas are called “burr”. The originals are not for sale, but stunning, fine-art prints are available now.
This edition is limited by the amount of the rare Dover paper available. It is no longer made. I have the world’s supply. It was a paper favored by book restorers who wanted to match the 17th century paper of the volume under conservation. The print is 100% archival and should outlast this civilization if left to age on its own. I have many 400 year old prints made on this type of paper, and they show only normal signs of age, no foxing, no staining, nothing but normal age, which in this case, means “microscopic”, no visible damage. Continue reading →
They make it SOOOO easy to click into a new life program that might not go away.
“Get Firefox for Android,” the ad in the center of your newly invoked browser will announce, and if you’re like most people, you’ll brainlessly enter your phone number and click on the button that says “Send me the link”, and Firefox will send the link to your phone instantly by text message. SMS & data rates may apply, you’re advised, but since nobody knows that SMS means “Short Message Service”, and data rates are about baud rate (one character at a time) or bit rate, one bit at a time — characters are generally 8 bits, or one byte, if my history class memory about the 21st century serves me rightly. I’ve been wrong before, which is why I carry a 2.4 average back home, in an unbroken record of scholastic defeats.
My point about the graphic above is that everyone’s doing it, which is the classic concept for sales & marketing. It’s being made “dropped in the lap” easy to click your way around the internet and load up your smartphone with stuff you’ll never use, just like you do with your closets, drawers and any other storage space you have. Stuff seems to accumulate even when you can’t remember taking it in.
Until an Android videogame can be loaded in just as easily from a phone-friendly browser, my new Android games won’t see the dawn of the New Age of Gaming. Continue reading →
Scrimshaw Etching of a fisherman’s house, “Parson Jackson’s Hole”, signed & dated in the plate.
I’m releasing my version of 21st century etchings with a series of reproductions of my latest most recent etchings produced here at my atelier. These will be printed on high-grade photo paper to get ALL the nuances of the originals, without the danger of them being used as counterfeits — the back clearly reads “photo paper”.
The print itself is $25, a fair price for a signed-and-dated-in-the-plate graphic multiple, if my memory of the art market serves me right. I will float-mount your print in a double mat board, and mount it for you in one of my finest museum-grade heavyweight 6″ wide hand-carved gilded hardwood frames for an additional $650, or in a lightweight custom frame at only $125 for the entire framing job — both framing jobs do not include the cost of the artwork — I have to pay folks to do these jobs, and fair wages is fair wages. It isn’t easy to frame a work of art — both Robbert and I have done it, at the rate of hundreds of pieces a week, and believe it, the pay is scarcely enough to cover the personal cost.
You can order a LIMITED EDITION print on handmade 17th century type “Dover” paper, made for 400 years by an unbroken line of family paper-makers. The paper is valued at $150 a full sheet at today’s rare paper market prices, and was $30 a sheet wholesale back in 1987, when it was obtained from the factory in England where it had been made many years earlier. Continue reading →
My Aunts Sadie, Molly & Leah were “flappers” back in 1923.
Is the Internet actually evil? No more so than the telephone lines or the equipment that handles millions of calls a minute. The Internet is a virtual Post Office. Nobody can possibly maintain an effective vigil on postal mail and telegram and teletype and messenger-delivered and air-freighted that pass between millions of people at a time, much less the CMT — Casual Message Traffic — that has developed electronically, where someone might write into their facebook or twitter log several dozen times an hour, the equivalent of snail-mail output of hundreds of letters per day to hundreds of friends all over the world, and all that electronic chatter is sent over some kind of wire, whether metal, light-optic fibre, radio, short-wave, wireless transmitter, Atlantic Cable, or somebody pounding on a talking drum.
The mail services around the world do not typically encourage their folks to send porn through the mails, but all over the world, they do, and in other countries besides the United States, they don’t have to send them in “plain brown wrappers” as folks used to do back in the Good Old Days, 1930 to the present time, yet we don’t say that the mail services are responsible for porn.
Scavengers and derelicts and scoundrels abound, but then, they always have. Anyone unfortunate enough to end up a victim of some kind of Fagan, the pickpocket boss from the musical “Oliver”, based on “Oliver Twist”, a famous Dickens novel about a boy who went from pickpocket to millionaire overnight, just by singing instead of talking.
These days, all the wrappings of civilization and the veneer of congeniality have been stripped away. Never mind who’s at fault. People who are badly educated or uneducated have no idea about the world beyond their own skins, and no concept of a world larger than their immediate territory and personal needs.
The United States used to have one of the finest educational systems in the world. Today, it ranks near the bottom, and that includes many undeveloped nations.