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Warping Time is easy. Space and Time are bound together. When you bend space, time bends right along with it, like the combination of nerves and muscles in the human body, and the combination of dark matter and stars to make the strings that make the universe. This fact that time and space are bound together, not merely “associated” with each other as separate entities, has long been known, but only recently proven by Einstein with the help of his math associate, Nathan Rosen.
You need to put Trump and his goons out of your mind for the moment — concentrate on something other than the continual State of Emergency that we’ve experienced for the past five and a half months.
Just relax and take it easy, and join me on a tour of my Fall Fashion Line with a twist — these are graphically generated special field energetics with attributes similar to those found on our Real Life RPG sites, among which is WIZARD3D.com, which is currently up for reconstruction, so you go there at your own risk.
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You can see the difference between the first illustration and the second one, above — you’ll please note that the SURFACE INFORMATION is different, but the OBJECT ITSELF is exactly identical — ie; a “Contrast Tank Top”, in both cases, and in each case, the photon-bounce is totally uniquely different, modified slightly by the model inside the top.
The Einstein-Rosen Bridge, or “Wormhole”, as it’s called by today’s physicists, is a direct theoretical result of that realization, which was itself the result of a thought-experiment in Einstein’s brain, something about the fog around a lightpost at night.
He realized that light had to travel, and pass through things on the way to his eye. This meant that time and space were intimately connected, see?
No, I know you don’t see. But that’s why Einstein was Princeton University’s Prize Professor, and you’re not.
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Time was, back in the day, when Time was something that happened inside a box of space. Period. Just passing time, inside some space. Wrong. Wrong. Wrong.
After Einstein’s Earth-Shaking revelation that time and space are bound together, it’s always spoken of as “Time-Space”, and they HAVE TO be considered as a single thing.
One aspect of this game-changing fact, going forward at the end of the day, is the takeaway that WHEN YOU BEND SPACE, YOU WARP TIME.
Boy, is THAT ever an important fact.
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Not only does the fact that “when you warp space, you also warp time” creates the potential for Black Holes, upon which the running of the universe completely depends, it also creates the potential for time-travel and a stunning coterie of similar quantum-field effects, not the least of which are telepathy, telekinesis, teleportation and remote viewing.
Any 3D model-maker will understand this idea: when you stretch a two-dimensional flat-plane design over a 3-D model, you get stretch and weirdness.
There’s “slippage” of the features on the face when it smiles or frowns, and on the elbows and knees when the limbs are bent.
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Model makers will tell you that the hips are their downfall, or that they just can’t get the ankles right.
Why? Because inside the model, there’s a skeleton, and what’s more, that skeleton is “rigged” for movement and adjustment during and after movment. In other words, the skin will shift around with movement, for which the designer MUST compensate.
This “compensation” is how come you pay one model designer $375 for his model, and another demands and gets $150,000 for a single fabulously and intelligently designed fully functioning professional model.
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These are the kinds of models you see in the CGI commercials on television, and almost every commercial now has at least SOME CGI in it, along with the obligatory iPhone, iPad or iSomething somewhere in hand or around inside the camera’s view field.
Why?
Why what? There HAS to be a mobile unit of some kind somewhere in the shot, because they’re actually going to show the dummies what buttons to press when they want to get the product or service.
Everything is being fed into the smartphones. They are the future of computing. Talk, don’t type. Press the button. Click Here.
Welcome back. So as I was saying, when you stretch a flat-plane thing onto a three-dimensional object, you get something akin to a stretchy skin over a solid object.
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TAKE NOTE: In effect, the two-dimensional “sheet” has become the “skin” of a three-dimensional object.
In a way, the two-dimensional object has taken on some of the attributes of a three-dimensional object, including its inherent collisions, an important factor in guild-hall life, if you’re a confirmed and experienced blue-liner.
At the Blue Line Academy, you HAVE to learn what happens when you stretch flat-planes over anything that seems “solid”, like the form of a dress, pair of pants, hat or wallet.
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On a wall, it makes a wall. On a face, it makes a face. On a head, it seems to form a head. On a body, it appears to define the form of the body, but all the while, it’s a two-dimensional thing.
Don’t forget THAT factoid as we proceed through this low-level thought-experiment.
The more you twist the “Space” –the dress itself — the weirder and more warped “Time” — represented by the surface information or design — can get, as any model-maker can tell you with a grim, somewhat ironic smile.
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Displacement and Shift can occur — you can MAKE them occur by wearing these goodies — and there’s always the Blessed Chance that an Einstein-Rosen Wormhole Tunnel will open up right before your eyes and suck you up into it and into another dimension, before you have time to say, “Holy Moly, Batman!”.
Holy Moly, indeed.
Does it work? I’m here to say, it does, and you can do it, too. Become a flat-plane designer, and learn the ropes of universe making and traversing consciously. It’s not that hard, but there is a catch — you have to actually try to do it, not just think about it, discuss it and wonder about what it would be like if you actually got off your ass and did it.
So actually, I’m a flat-plane designer. I design flat-plane rectangles, composing dots, lines, scritches and scratches, blobs and globs and paintbuckets full of color and form and harmony onto an electronic grid. Keep in mind that grid is two-dimensional, no matter how vivid and persuasive the illusion.
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I can’t say as much for what you’re experiencing now. It’s also flat-plane, but it sure does LOOK like a deep-dimensional box, don’t it, though?
I apply my flat-plane designs to three-dimensional objects, such as a backpack, wallet, watch, dress or handbag.
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You wear, carry or place that item, and it starts to work as soon as you trigger it off with the Magic Words, “Om Mani Padme Hum”.
If you said that rightly, the humming begins, and the magic starts to work, but there is a catch:
If your heart is pure and your mind is clear, the magic will work.
If not, it might not go so well.
This safety factor is there to protect the innocent. There cannot be an abuse of the powers within these garments and accessories, because it just doesn’t react or interact with lower forces and emotions. It just doesn’t.
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It’s easy to build in whatever you want to put into the casting, because there’s a wealth of room for detail. You can get very specific on what you want to have happen, but you MUST know the MoveAct Code well enough to understand whether or not the model is capable of that action and skin coverage without slippage.
That’s a hard combination to come up with, and in the case of a flat-plane design being fitted on a human body, it’s even more complicated and difficult to predict the outcome, which is why some designers get $25 an hour and some get astronomical sums for a single one-off dress from their runway show.
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Sure, it’s all a matter of marketing, sure, but there HAS to be a spark of talent and skill there, too, or it just doesn’t fly, in spite of tons of marketing and promotion.
If you’ve got something good, it can fly, but then you have to have some way to get the public’s awareness of it, otherwise you’re doomed to sell a few purses to your aunt Martha and your best friend Kaightlynn.
Everybody wants to name a kid “Caitlin”, but refuses to spell it that way. It all makes sense, if you get that there’s an army of bots out there, and little else.
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Oh, don’t get me started. Okay, so you’ve designed a flat-plane rectangle with color, line, form and substance. In short, you’ve made an Abstract Expressionist Masterpiece.
Well, you might or might not succeed, but I definitely will.
Why is that???
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Simple. Because I have the experience points, and that’s the only advantage. Potentially, you’re as good as, or better than, I am at designing, but I’m not here to win design awards. I’m here to see a bomber.
That’s a reference to a line in “Buckaroo Banzai Across the 8th Dimension”, where an extraterrestrial replies, “It’s not my goddam planet, monkey-boy”, as he lifts the human a few feet up into the air, by the tie.
He could get into trouble with the ASPCH — that’s the American Society for the Prevention of Cruelty to Humans — for that sort of thing, if they existed, but fortunately for the peace of mind of most dictators, it doesn’t, and if it did, it would have no power to do anything but verbally condemn.
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When I was a “Cold War Spy”, all it meant was that I achieved the great status of “006 PFC Clerk-Typist Trainee”, although I never lived up to that Initial Promise.
I want to be unhesitatingly quick to point out that my “006” MOS was just one number below “007”, James Bond’s much-vaunted level of skill.
Big deal. James Bond, double-O seven, was a “License to Kill”. My rank, double-O six, was a “License to Seriously Insult”, and that’s hard to beat. It’s how come I became a professional standup comic. I merely transferred my Army Skills into a civilian life application.
Had I remained in the service 30 more years, I’d be a Sergeant by now.
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Most sergeants can’t spell their own rank. This is why I am not in the service, and did not remain in the service for very long.
Luckily, I was recruited as a Remote Viewer long before they needed my help in the more active war zones, but I digress:
So when you bend or warp something two-dimensional like a flat-field color design in rectangular format around a three-dimensional form such as a piece of clothing, you get a “skin” around the boundaries of the object, and it tends to take on the appearance and general dimensions of a “garment” or article of clothing, sometimes quite fashionable, but always keeping in mind the function before the form.
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The topology doesn’t change, no matter what it may look like. Appearances are deceiving, and in the quantum world, doubly so.
Surface information IS the definition of the object. Keep in mind that the topology doesn’t change, but the surface information can and does change.
Alter the information, and the object becomes qualitatively and quantitatively demonstrably, provably, different.
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I can change the PATTERN of the two dimensional design, and create a differential between light and dark, warm and cool, intense and grey, that in turn creates an apparency of reality, without having to actually create the reality.
What that means to you is that you can deliver great fashion at a fraction of the price.
All you need are the details. The Big Picture is simple to grasp:
- You need a flat-plane design.
- You need something on which to wrap it.
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Now, when the pattern or design is wrapped around the object, it’s done with “infusion” rather than “printing” technique, so that the material is actually infused with the color — it’s not just ink riding on the surface of a textile, see?
What’s important about that is the light-handling effects of the surface design. Photons are either bounced off the surface or absorbed into the cloth, or a combination or variation of the two.
The variety of effects are produced by the color, intensity and size of the area of color on the object. There is “Local Color” and “Field Color”, both of which are handled quite well in my “Secrets of Still-Life” book, which is very much still in print. — GO GET THE BOOK —
By altering the photon-handling local field through color, shape and intensity, the identification of the object changes quite literally. The universe sees the figure as you changed it, not as it was.
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This causes a disturbance in the Force, which in turn causes a movement toward or away from a specific reality course or lifestream.
In short, it automatically selects the “Best Route” and “Best Practices” to get there.
You are, in a sense, guided by your clothing.
Sounds ridiculously easy, doesn’t it? Yet shamans and sages and many higher powers have used this secret openly, without fear of discovery.
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How come that is???
Because it’s all about fashion, dearie. Just fashion.
You don’t make a big deal about the magic of the formulation, not normally — but I do. My whole PURPOSE is to bring you fashions with a purpose, clothing that uses the simple but effective technique of changing the surface information on a time-warping wrapped flat-plane.
Simple, stupidly simple high-school science, at least it’s high-school science where I come from, back in the 37th century, which is just a hair’s breadth away from this History Sim in which we’re now communicating.
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HEY!
Oh, never mind. I thought for a second that I’d heard the “class-change” bell outside the SIM, but it wasn’t the bell at all. It was somebody’s cellphone, set to ring with the class change tones — God, that’s dumb.
Anyhow, flat-plane, flat-plane … oh, yes, now I remember what I was going to say before I so rudely interrupted myself … When you wrap a flat-plane around a solid geometry of any sort, you get warp — we’ve established that, right? And when you get warp of something spatial, you get a corresponding warpage of time, as well. Okay so far?
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So, now …
Taking advantage of the tiny pinhole of time that opens up as a result of a careful calculation of the warped flat-plane information over the three-dimensional object form, we get a net result of some sort of magical intervention.
That’s not an automatic assumption. We can repeat it anytime we like, as many times as we like, and stack up the spells and protections as much as we want — we have plenty of room, between a dozen articles of clothing plus accessories.
With Properly Accessorized Fashions, Everything Is Possible. Go With Fashion!
See You At The Top!!!
gorby