Tattoo Instructions

Charlie models an "ARRAY" formula for my TWEED MODEL Waking State Amplifier
Charlie models an “ARRAY” formula for my TWEED MODEL Waking State Amplifier

Here are the instructions for the Decal Temporary Tattoos:

1.   Peel the TRANSPARENT layer off the decal.

2.   PLACE the decal EXACTLY where you want it. It cannot be moved after placement.

3.   WET the decal on the white back for about 30 seconds. The backing will slide off easily when it’s ready to separate. Do not force it or peel it off. Let the water do all the work.

4.  To REMOVE the decal, use Scotch brand MAGIC TAPE. Place the tape on the decal and peel off as you would do a waxing. Do not place decals on hairy or sensitive areas of skin.

These decals are intended for Spiritual Applications. Use the TEST DECAL included in your purchase package to determine if you have sensitivity to this product, which has been dermatologically tested and determined safe for general use.

A possible CHOKING HAZARD exists with the very small tattoos, the ones under 5 inches in width, and even those could be chewed, gummed and even swallowed, with some practice.

Always use common sense in handling decals and use caution and personal supervision when handing them out or to, or using them with, small children.

Parental Guidance is a MUST when applying decals to tots and toddlers. The official position is: don’t leave them on for more than a few hours.

Some folks have reported wearing them for more than a month. I do not recommend this method of saving money.

Decals can be applied over or partially over other decals, but it is not advised. Best plan is to use each decal in a clear, hair-free and non-sensitive area. That may or may not include the face, depending on your skin’s reaction to foreign material — the adhesive is very foreign, and it really is a good idea to test your skin with a small tattoo before committing to a body-full of TempTats.

The original concept behind these decals is CHANGE. The fact that you can totally change your body’s SURFACE INFORMATION is the key to making these work for you in your spiritual pathways through space-time and beyond.

Using these decals WILL ALTER your body’s INFORMATION LAYER. This may have effects in your life. Don’t wish for something unless you really want it.

These decals are intended as specific BODY INFORMATION LAYER alterations, and if used in ritual, should follow the usage intended.

I take no responsibility whatever for your decisions.

My recommendation has always been to make wise choices.

Of course, if sex rears its ugly head, all bets are off on “wise choices”.

I’m off now, to make another entry or two in Life as a Boy, on lesliannstandup.com.

See You At The Top!!!

Gorby

We Interrupt This Broadcast…

This cover was shot by my Mom, Eve, when we were in Atlantic City. The dress and coat were new.
This cover was shot by my Mom, Eve, when we were in Atlantic City in 1952.

You may have noticed that there is a sudden stoppage in the LeslieAnn “My Life as a Boy” postings; that’s because it has been loaded onto leslieannstandup.com and will be continued on that blog spot until it’s done, whenever that is, after which it will be expanded upon, possibly re-arranged and published in hardcover and paperback.

The hardcover edition will contain a frontispiece of signed original artwork and a signed collophon page. Handmade French endpapers and fine artstock paper will be featured, as well as a special ridged binding.’

Projected price of the numbered & signed limited edition hardcover is yet to be determined, based on costs, but will be targeted for $225 retail, a very low price in today’s livre d’artist market, where many books retail in the thousands.

The paperback is NOT signed and is not intended for signature. It is strictly a reading copy, not a collectible. Nevertheless, LeslieAnn will sign the first 100 copies but none of them will be numbered and the edition is Open, meaning unlimited production based on market and order fulfillment.

“My Life as a Boy” is an exciting project — I refer you to Robert Heinlein’s “Time Enough For Love” in which he projects the entire story-frame from a woman’s headset.

There are many examples of similar projects.

I’m using photos that have been in the family for many years, but have not seen the light of day and were all-but-buried in a special chest of “family only” photos that I’ve dug up for this project.

In the book, you will see hundreds of photos that have been “lost”, all of which are of me as LeslieAnn in a variety of situations over a period of 73 years.

I think you’ll have fun with this, but there’s a whole host of lessons to be learned from it — I invite you to comment on your experience with this written document.

LeslieAnn

 

 

My Life as a Boy — Chapter 2

Diane Wolfe just after separation from the US Army, at our apartment in NYC 1964.
Diane Wolfe just after separation from the US Army, at our apartment in NYC 1964.

Wolfie and I arrived at the Trailways — or was it Greyhound??? — bus terminal and found an apartment almost instantly — we had no money — we were both waiting for our service paychecks to catch up with us, so I called a sci-fi writer friend, Mary Kornbluth, and she said she had an extra room if we didn’t mind 250 cats all around us, so we went there and bedded down for the night. This cat was our first visitor, and I snapped the shot and it survived the years, and here it is.

The next day we walked down Broadway, looking for work. Both of us were limited in wardrobe — everything we had on we’d acquired the day before, at Gettysburg, which is kinda near where we’d worked our last three weeks of service, Valley Forge Hospital, in the TB wards.

Dangerous, but it beats guard duty with a .12 gauge with orders to shoot any prisoner who attempts an escape. I never knew whether the weapon was loaded, but I got out of there fast when I got the offer of spending the last few weeks at Valley Forge in spite of the danger of TB, and it’s fortunate I did go there, or I’d never have met Wolfie.

Continue reading

LeslieAnn — My Life As a Boy — Chapter 1 —

AUTHOR’S PREFACE

Relaxing as myself on summer vacation -- the rest of the year was spent as a boy.
Relaxing as myself — LeslieAnn — on summer vacation — the rest of the year was spent as a boy.

I didn’t like life as a boy; oh, sure, you got all the rights and privileges and perks of being a boy in a man’s world, but I had to constantly hide my gender. I bound my breasts down, wore socks to make a bulge and luckily or unluckily, my voice was naturally deep, like a 60 year old cigarette smoker — like, really deep.

My girlfriends used to make fun of my voice, and even though I could sing high harmonies in a perfectly fine soprano voice — and I can still hit the high notes today — I couldn’t make myself speak comfortably in a high squeaky voice, and I never did. Continue reading

Some Airbrushed Photos of my Aunt Sophie

 

Aunt Sophie at our summer home, the Old Zena Mill, Woodstock, NY
My airbrushed photo of Aunt Sophie at our summer home, the Old Zena Mill, Woodstock, NY

Aunt Sophie was an artist who thought the human body was just another thing to paint, draw, sculpt or photograph. She spent several days with me developing a portfolio of simple photos taken with my simple Ansco Flash Clipper and later a borrowed 35mm pre-war Leica III-C which I still have in my XXth Century Camera Collection.  I’ve airbrushed a few of my photos of her and my other aunts, so I could share them here. If I’m wrong, I’ll take them down. Continue reading

A Matter of Gravity

 

Dave Prowse headed up our London Prime Study Group in the 1970s.
Dave Prowse was a prime participant in our London Sci-Fi Fantasy Cons — he lives with his wife & 3 children in Bristol, UK.

Gravity is often thought of as one of the few “forces” that travel through the universe, pushing, pulling and getting in the way of everything, cluttering up the whole thing with their interactive interactions, as it were.

“Modern” science knows nothing of forces — what they are, why they are here and where they come from. Some scientists think they’ve isolated four major forces that govern the Einsteinian Universe — The Strong Force, The Weak Force, Electro-Magnetism and Gravity.

Shit, Gravity ain’t even a force. It’s an effect of Space-Bending, which is itself a result of information imposed upon or embedded within the Space-Time Matrix, which is a phantom projection oriented on the grid, with “objects” placed where an effect is to occur.

Weak Force, Strong Force — who named those two things, anyway? Some addle-brained super-scholar must have hit on those…

“Say, I’ve just discovered the two most fundamental forces in the universe,” exclaims Scientist. Continue reading

My Life as a Cheesecake Photographer

My Kodak Brownie photo of Aunt Bertha adjusting her stocking, Sand Dunes Vermont, 1949.
My Kodak Brownie photo of Aunt Bertha adjusting her slip, Sand Dunes Vermont, 1949.

I started with a Kodak Brownie, like every other kid on the block. It was a one-focus lens and a slow, slow shutter speed. The only thing you could do with that camera is what you see here — get about ten feet away from subject for full-body, three feet for closeups, and snap away, hope for the best. You had to send your film to Kodak in Rochester, New York to have your photos processed and printed glossy with gnarly deckled edges, making it hard to insert them into a photo album, but who cared, as long as the pictures came out. Continue reading

Why I Re-Created Gorebagg in Diablo 2 Today

 

Kurt Russell signed this photo, one of several dozen cast-signed shots from the production, including original script.
Kurt Russell signed this photo, one of several dozen cast-signed shots from the production, including a signed original script. I’m trying to get Kurt or James Hong to sign one for Amy — it’s her favorite film!

Teena, if you read this, please ask Jim to sign & send photo, thx.

Yep, I did it; I went into ALL my Diablo II accounts and refreshed them, upgraded characters, settled the contents of backpacks and stashboxes, and in some cases took the character up a level or three, to make sure I wasn’t booted out for switching games too fast, although that did happen a few times in spite of my care.

In all, I’ve rescued about a hundred D2 characters, representing some $2,000 in value of what they carry, and another several thousand hours of gameplay over the past decade or more to bring them to that level.

So, they’re all fine, all doing well, none of them lost, none at all, including my level 77 HARDCORE chars in the EUROPEAN server and another 50 HardCore chars on the EASTERN server and still more, about fifty, in the WEST server, so I’m ready when you are to do Bardo Safaris in D2, and to hand out tons of great drops to those who join safaris. Continue reading

Information, Information, Information…

Tiffany in Red Hearts handpainted dress, & Gorby in LeslieAnn Cowboy Hat, during photoshoot for tattoo-fashions.com
Tiffany in Red Hearts handpainted dress, & Gorby in LeslieAnn Cowboy Hat, during photoshoot for tattoo-fashions.com

“Information, information, information…without good information, Gabriel, how can I possibly make good decisions???” — Lord God, Creation Story Verbatim

Anytime you add or subtract information from the surface of a Primitive Object, which is what most things are, no matter what they look like, including me and you and Tiffany here, it changes the object, “Heisenbergs” it, in a way… I’ll explain:

Take an object, any object, and describe it as a simple undifferentiated cube with no distinguishing characteristics at the moment.

Okay, now stuff the cube full of something — anything. It goes into the “contents”, which is to say, it is added to, and distributed by negentropy into small groupings or “bundles” and embedded into the surface — not the skin — of the cube. Some part of these “instructions” or “information” says that the cube now looks like a sphere.

All Particles (Cubes) act as Black Holes in respect to incoming information by accumulating the information and distributing it unevenly within its surface.

We can add yet more or entirely different information and make the cube look like Tiffany, or Gorby or both, but that’s another story involving quantum mechanics like the kind of calculations and theory that you would be forced to confront in a final exam. Information can be “stacked” or layered.

Information embedded in the surface of the particle isn’t necessarily flattened, but it can be, in the interest of Conservation of Information, a standard that Stephen hasn’t yet broken, and he won’t ever. The Conservation of Information is not destroyed by a Black Hole, the observational evidence isn’t yet in to support my position, but it’s on the way shortly. Continue reading

How to Become a Tattoo-Fashions Representative

 

I’ll bet you’re wondering how to get started on the Tattoo-Fashions road to success, happiness and a non-ink future for your kids & grandkids. It’s totally easy.

STEP ONE — Contact Yanesh or use the contact page on this website for information about how you can participate in the Space-Bender Project.

STEP TWO — Refer to Step One.

What is Tattoo-Fashions?

Amy's Upper Back Tattoo was hand-drawn by her.
Amy’s Upper Back Tattoo was hand-drawn by her — note the intricacy and detail achieved in this blue ink skin tattoo.

First of all, I DON’T create my designs in Photoshop. I hand-draw and hand-paint them, and so does Amy. I’m so amazed at her hand-drawn upper back design, truly a work of art, not a mechanical “art” tattoo as you’d see in the standard blue-ink parlors.

Neither Amy nor I depend on mechanical drawing in Photoshop or anywhere else, to get us where we want to go, and we’re sharing our skills with our tattoo-fashions students at women’s creative workshop.

We just don’t use mechanical drawing for anything, not for any reason whatsoever. If you ain’t got it in the hands, you ain’t got it, baby. Continue reading