On Tax Day, April 15, 2017 many tens of thousands of angry taxpayers took to the streets in protest. They pay taxes every year, Donald Trump has never paid a penny of tax in his entire life, and he uses up taxpayer money like water, as you’ve seen.
Did Emperor Donald take this seriously? Did he see the handwriting on the wall?
Of course not.
I told you before, with all due respect, Donald Trump is clinically insane which, if he didn’t have his finger on the nuclear trigger, would be no big deal.
As I’ve said before, he’s an NPD, a Narcissistic Personality Disorder, which doesn’t listen and doesn’t respect or trust others, and there’s no cure for NPD, none whatsoever.
Trump tweeted — of course he tweeted, what else would you expect??? — that ALL the demonstrators who marched on Tax Day were paid actors.
Oh, yeah? Nobody paid ME to protest, and I’m protesting plenty, while I still can, because I KNOW that within days or weeks, my ability to do could be seriously reduced by the Gestapo or worse, an Agency Setup.
As a graduate of two Unnamed Agencies and one that appears in my service records, the Army Security Agency, I know what their mindset is, and my continued survival and ability to publish is not among their top concerns.
In short, I’m expendable as hell.
I take a hell of a chance singing songs of protest, writing poems, blogs and video game levels that make fun of Donald Trump, but I’ve always said, if I’m to be hanged as a horse-thief, I’ll at least have the horse. Continue reading →
One of the most unusual of times is that in which computers exist and games are tolerated, which happens all too seldom, what with the wide variety of repressive governments in place all over the galaxy, but at least for the moment, we can make Orbs and you’re allowed to download and install them, although for how long that will be is anybody’s guess.
Of course, “approved” games will always be available, but you won’t want to play them, and besides, my “games” are not really games at all — they merely rely on a gaming engine to deliver them and make them useful to you. Continue reading →
For the first time ever, you get a full professional world-creation system that is easy to use, easy to master and makes fabulous reality environments that YOU can make. No math skills, no programming skills, any artist can use this INSTINCTIVE system of world-making.
I’ve made a video of the most basic first introductory lesson in Bluelining technology. The video is being uploaded even now.
This world-making tech is amazing and has several powerful advantages over simple mental imaging and visualization, the most vital of which is that repeated exercise of these actions WILL have a major effect in the spiritual zones, because you are taking actions in the deepest and most enduring levels of quantum mechanics.
Repeated uses of these Orbs will at some point trigger Thalamic or Pineal reactions and a wormhole type gateway could open up within your own brain and hey, like I always say, if they offer a price on your head, take it.
The underlying quantum world is electronic in nature, and so is the 3D GODD® Game-Maker Engine & Editor.
If you go wildcatting around with the editor, you’ll never master it, even in several decades. There are just a few, not many, definite tricks to using the GODD Editor, and you need to know them.
First of all, you’ll have to learn to refresh your map in order to get a firm update of all the textures and box placements. This is easily learned, but MUST be mastered before doing much else.
Of course, if you don’t know how to download and/or install something on your machine, you have a much deeper learning-curve ahead of you. A quick review of your computer, as in, “this is the keyboard”, “this is the monitor” and “this is the mouse” will have to suffice. Do try to keep those straight as we plow ahead into the simple mechanics of creating a universe by carving out a section of the Void.
That is what we’re doing. The map is Voidness until you define the space within the Void, and fill it with boxes and models and other objects and a number of invisible “operators” that in fact are the things that make things happen.
What appears to be happening in a game world seldom is. Operators are essential, and they reflect the actual magical conditions of the quantum world.
Bluelining will eventually yield some serious answers in that area, but be patient — the teaching comes in stages, meaning that there are some flat stretches ahead.
There are always flat stretches between each peak you’ve conquered behind you. Those allow you to develop and deepen your understanding at each stage of development. Continue reading →
Okay, if you’re wondering why I’m taking sides, I’m not. Believe me, if Hillary had gotten in and pulled the stunts this media-whoring pigheaded creep is pulling, I’d be right on her case, just as heavily, you have my word on that.
Donald Trump is walking all over the Constitution. Hey, I’m not permitted to interfere with local politics here on Earth, and I don’t.
That’s not why I’m writing People’s Songs of Protest, not at all. Donald Trump is just another cog in the wheel that is Washington, and he’s now discovering the painful truth, that unless he invites Russian troops in, he has no real power.
I couldn’t care less if we DO live through a “Red Dawn” scenario. I have bigger fish to fry.
In point of fact, you probably haven’t a clue why I’m really doing it, and couldn’t care less, if you’re in the mainstream with most humankind, but I have a very high and celestial reason to do what I’m doing, and I’ll be only too happy to explain just why:
Donald Trump is not the center of the universe, but right now, he’s making himself pretty much the center of attention, worldwide. People are absolutely terrified, quite rightly, that he might go off the deep end any moment now, and press the nuclear button, or worse. Continue reading →
As you know, I don’t have a regular guitar player in the band, so I’m forced to learn more guitar than I ever wanted to know, and in accordance with that aim, I also need my own songbook with our own songs and arrangements in some sort of usable order, and with the songs playable and singable by me.
I am therefore announcing the imminent publication of my Prosperity Path Songbook, which has in it songs we wrote as a group, at Meadow Vista, Grass Valley and Penn Valley, over the past 45 years or so. I want to especially thank all the folks who made it possible. All the credits I know of are listed on each song sheet. I tried to limit the size of the songs to a single page, except in the case of the Government Meltdown Blues, so it’d be easy to use at a gig, recording session, or at band practice.
These songs are licensed for busking where a tip jar is used. If you charge admission or want to record these songs, you MUST have permission, but we’re easy — just ask. We want to know where our songs are going and who is covering them, wouldn’t you???
NOTICE: I have rewritten these songs, to make them easier for me to play.
I have more than 50% rewritten these songs, for which I take full responsibility. If I’ve lost the feel or sense of a song, you can blame me for it. I’ll listen to complaints, but my musical skills are limited to standard open chords, so take it easy on me — a lot of those songs were unplayable by anyone except Parker, Meg, or Jimmi, and that’s a fact.
I’ve made them easy FOR ME to play and sing. If you want the original formats, the original meters, timing and chords as they were, and the original songs as they were sung by Parker more than 35 years ago, you can send for a xerox copy of the Angel Songbook from Iven at, I believe, $35. It does not contain about half the songs my new songbook features.
Myself, I can’t sing them or play them EXACTLY as Parker or Meg or Jimmi or Menlo did — not even remotely like what they did. I just don’t have the guitar and singing skills that they do, so I reworked the songs for my own use, put them in keys that I can easily play, worked out rhythm, meter, rhyme, sense and chord progression changes that are easy, easy, easy for me to play — so easy that even YOU might be able to play them!
I’ve put a solid two months of work into getting this song book together, having already worked on the songs off and on over the past decades, and today, I’m sharing the results of this effort with you. You’ll be able to buy my signed songbook as of today, with our projected shipping date only two weeks away.
I hope you’ll enjoy my collected songs in this new wirebound spiral edition, at only $35 a copy on regular copy paper, and you can make that $45, if you want it printed on heavy card stock. I’ll keep that price as long as I can hold the costs down — printing and paper costs are going up again, and I can’t promise that costs will ever go down to where they were 50 years ago. Things don’t tend to get cheaper and cheaper. Inflation eats everything. Continue reading →
If you want to do a gig like the one we’re doing, and you want a crowd around your performance venue, you have merely to organize your song list from the Beatles tunes that are the longest-lasting pop music in history — in our booth, we got a half-and-half mix of young and old, all asking for Beatles tunes, the tunes with which they are most familiar and that they find the most singable. Here’s the song list I would use: Continue reading →
The necklace in the photo above looks deceptively easy to acquire, but it isn’t. You can’t buy this necklace at any price. It is a “School Artifact”. Relics like these can be reconstructed from ancient materials. In this case, note that the maker of all the lapis beads is the same, from the same workshop. This is not the case with beads acquired through the ordinary marketplace. Matched sets of ancient beads is exceedingly rare.
The wonderful Hand-Crafted Bali Style Copper Beads available to me now makes an authentic reconstruction of ancient pieces more possible than ever before, although how long those handmades will be available is anybody’s guess in this mechanized world.
Copper and bronze were the Metals of Choice in antiquity, but they, along with silver, tend to corrode rapidly, oxidizing into oblivion in the wet soils of time-soaked earth. Gold doesn’t oxidize, at least pure or nearly pure gold doesn’t, so it tends to survive where the silver, bronze or copper items of daily use don’t.
I prefer to use copper in the reconstruction process for two reasons. Firstly, it is more like the ancient piece than the occasional royal piece produced for the ruling class. Secondly, it is less likely to get melted down for the metal than pure gold.
Reconstructed ancient necklaces are not as expensive as you might think, starting at a very affordable $450 for a Roman Glass Necklace powered by EMO beads, to $35,000 for a stunning Egyptian Broadcollar, up to $350,000 (how much I need to buy my 70-homesite Ashram, fully licensed for community living and ready for occupancy now) for the incredible Ancient Eye Bead Necklace of Protection & Power, reconstructed with some of the very first glass beads ever made, dating to around 1200 B.C. in Western Asia, making it unique in the field of privately-held ancient magical devices. Continue reading →
I have seventeen hours of video of Harry and myself, recording a “next album” as far as Harry was concerned, putting down basic tracks for Harry, with guest musicians Jimmi Accardi, Menlo Macfarlane, Bob Bachtold and more, and the engineering talent of world-famous audio engie Oz Fritz. Some of the songs we sang at those sessions were a few of my new songs that Harry and I talk about before recording them, some of them were Jimmi’s songs, and some were just blues from Kansas City & thereabouts. Continue reading →
This you hafta see. I was thinkin’ of some way to do this song — our band is nowhere near the skill level needed to even sing the thing in public, but this 2 million hit single in palm-farts takes the cake. I mean, how can you top this???